The Kings of Rhythm, The Grammys, The
Handys & more
2001
marked the Golden Anniversary of a GOLD
Record from an Era when Fifty-thousand
45s was a BIG Seller. That
500K-selling single cut the edge of a new
style before deejay Alan Freed named it:
ROCK & ROLL. Sam Phillips, Sun
Studios founder, tagged that Billboard #1
R&B Smash as the very first
Rock & Roll Recording.
Every hell-raiser, hip-shaker, and
hit-maker owes a nod to that teenager
recognized by Rock historians as the
Father of Rock & Roll.
That
Billboard bullet, Rocket 88,
was penned by a 19-year old boogie-woogie
boy and his back-up band, The Kings
of Rhythm, for their first Sun
Studios session in March 1951. B.B. King
introduced the kid to Phillips, but he
did not have a song - yet. So, on that
rainy ride up Highway 61 to Memphis with
their gear strapped on top, inspiration
and lightening struck. The first muscle
car - a highway cruiser - the hot, new,
Oldsmobile Rocket 88 was the
subject and title of that historic #1
Hit. His lead vocalist, Jackie Brensten,
and his side band, The Delta
Cats, were mistakenly credited with
the song by Chess Records, who released
it. But those that know Rock history know
The Kings of Rhythm were the real rockers
toiling in the shadows of their own
success. That kid is referred to by
Little Richard as The Man.
B.B. King proudly echoes, Hes
the best band leader Ive ever
seen. The kid who became The
Man is Ike Turner.
Turner
full-tilt boogies throughout his Golden
Anniversary record, Here and
Now. His first commercial release
in 23 years, this Ikon Records debut
received rave critical acclaim and a
GRAMMY Nomination for BEST TRADITIONAL
BLUES ALBUM in 2001. Likewise heralded by
the 2002 W.C. HANDY BLUES AWARDS as a
masterpiece, Turner was lauded with
COMEBACK ALBUM OF THE YEAR AWARD and
Nominated for BLUES ENTERTAINER OF THE
YEAR, SOUL/BLUES MALE ARTIST OF THE YEAR,
and SOUL/BLUES ALBUM OF THE YEAR.
Better
known for his signature whammy-bar
guitar, the bedazzling piano-man
surprises many with his recently
re-discovered piano roots. Turners
first mentor was the legendary
boogie-boss Pinetop Perkins, now 89.
Turner and Pinetop united for an
electrifying, tear-filled piano duet at
the 2001 Chicago Blues Festival filmed
for the Martin Scorsese Series The
Blues: Godfathers and Sons
currently airing nationwide on PBS
channels.
Prior
to migrating up-river to East St. Louis
in 1954, Turner was a house boogie-woogie
man in West Memphis blacks
only clubs. A young, white truck
driver often snuck in and hid next to the
piano to study Ikes boogie style
and woogie-wild legs. That kid was Elvis
Presley. The list of historical sessions
hes led with the likes of Elmore
James, B.B. King, Buddy Guy, and a still
continuing list of blues, rock, and
R&B royalty is stunning. He is also
noted for discovering, developing, and
recording many legendary artists, such as
Howlin Wolf, Little Walter, Muddy
Waters, and Little Milton.
The
60s rock diva Janis Joplin sought
Turner for vocal coaching. A primordial
Jimi Hendrix played in the Kings of
Rhythm for a time. The bandleader fired
him for his incessant, uncontrolled
feedback; imagine that. Another notable
talent, Annie Mae Bullock was a gifted
rookie singer he coached, choreographed,
and re-styled. He created her image and
changed little Annies name to
Tina
Turner. They even taught the
Rolling Stones to strut. The rest of the
Ike&Tina Turner Review legacy is part
history, part legend, part myth.
Turner
recorded himself and others variously as
the Ike&Tina Turner Review, The
Ikettes, Eki Renrut, The Kings of Rhythm,
and under other pseudonyms. His standout
recordings include such classics as
A Fool In Love,
Its Gonna Work Out
Fine, Im Blue,
I Wanna Take You Higher,
Nutbush City Limits,
River Deep Mountain
High, and Proud Mary.
From 1951 to 1976 Ike recorded hundreds
of songs and dozens of albums while
successfully touring the world over.
For
the next 15 years Turner sank deeper into
and then rehabilitated from his well
publicized, yet overstated, excesses and
mistakes portrayed in the Tina Turner
dramatization Whats Love Got
To Do With It? That era of his life
cost Turner his family and his fortune.
Eventually, the deal-done-wrong with Walt
Disney Pictures cost Turner his fame and
then his name, too, through a legal
loophole that prevented Turner from
objecting to his on-screen character
assassination. To her credit, Tina
publicly set the record straight,
announcing the film was not fair to Ike;
but the mass-media glossed over her
statement. Then the Oscar Nominations for
riveting, larger-than-life performances
transformed Angela Bassett and Lawrence
Fishburne, and muzzled all criticism of
fiction vs. fact.
Turner
re-emerged in the 90s, back on
track with two thoughts in mind:
One hit is too many, a thousand
aint enough and one man
with courage is a majority. Then,
fate gave Turner another chance at fame
as he was inducted into the Rock&Roll
Hall of Fame. But he would need all his
new found resolve, plus the courage of
several lifetimes, to overcome the
worldwide misperception of The
Man-become-demonic myth in Tinas
movie that was sold as fiction, but
bought as fact.
Fortunately,
his legendary music survived the
thrashing his name did not. As a result,
countless hip-hoppers sampled his tracks,
most notably the Shoop. Ike
was instantly timeless, again - The
Ikettes incarnate. The defiant female-rap
trio catapulted Turner with a
chart-topping Mega-hit, sizzling to Hot
Rap Singles #1, Hot Dance Music #1,
Rhythmic Top 40 #1, Hot R&B #3, and
Billboard Hot 100 #4. They had a career
total of five #1 Hits in all, but their
one-two punch combination with Turner was
THE standout hit-of-hits that powered
their 1994 album, None Of Your
Business, to a GRAMMY: BEST ALBUM
FOR A RAP DUO/GROUP another Turner
TKO.
A
setback next occurred, as such is life.
Turner recalled his storied life with the
noted English biographer Nigel Cawthorne,
under the title Takin Back My
Name, published in mid-1999. It is
a spell-binding saga told by Turner in
his Creole rooted oral tradition: rags-to-riches-to-fame-to-richer-to-rags-to-infamy,
replete with names, dates, crimes, and
confessions. Cawthornes agent
committed a marketing mis-step by signing
the book to Virgin Publishing, an
otherwise capable publisher. Virgin
Publishing later alleged they were not
connected to Virgin Records, yet both are
London based and share the same logo.
Tina Turner is a Virgin Records recording
artist. A reasonable effort to market the
book was put forth. But requested promo
copies failed to arrive on time; retail
store orders failed to ship; author
in-stores were arranged then abandoned; a
frustrated Turner began to decline
interviews when repeatedly correspondents
had not seen the book; and finally, when
Turner reps located tens of
thousands of books log jammed in New York
warehouses Virgin forbade them to contact
the U.S. staff further, requiring them to
talk to the London office only. Soon
after in 2000, the Whats
Love film was suddenly broadcast
recurrently and Virgin Records flourished
with the release of Tinas
mega-selling swan-song, Twenty Four
Seven. She mounted the highest
grossing tour of the year, while
Ikes autobiography fumbled,
stumbled, withered and died.
Turner,
disappointed, sought to regroup. Boot
strapping once more, courage did not fail
the boogie boy from Clarksdale. Perhaps
the first-grader molested by an old
neighbor woman, who watched his beloved
father die from a beating around the same
time in life, was entitled to one more
reprieve.
He
returned to the crossroads of his youth,
strategically reinventing himself. He
scrapped the Ike Turner Review and
revitalized the Kings of Rhythm. He
willed Ikon Records into being and joined
forces with Bottled Majic Music magnate,
Rob Johnson, to revive his recording
career. At 69, he re-recorded
Rocket 88. To leave no doubt
that he IS, WAS and WILL ALWAYS BE The
Man: he cut the vocals himself. Mellowed
with age, he distilled all those years
building others into an elixir this time
for Ike. Then, trepidly he climbed
the stage with raw determination and
faced his biggest demon: debilitating
stage fright. Stepping up to front the
band on vocals, piano, and whammy-bar, he
headlined the Memphis In May Festival.
Memphis embraced his spectacular
performance and validated his stature as
the mentor of so many, no longer toiling
in the shadows.
Next:
the 2001 Here and Now record
promotion campaign, another page in
taking back his name. It was a marathon
of interviews and tour dates capped off
with the Conan OBrien Show. The
witty I Gave You What You Wanted
(Its Not My Fault You Didnt
Like What You Got) funk-blues was
the perfect album teaser for national TV.
The clip can be viewed on www.IkeTurner.com.
With one step back followed by two leaps
forward, this instant-classic album
energized renewed interest in his
pre-Tina career, as intended. He toured
all the influential blues & jazz
festivals, releasing a live album in
Europe, The Resurrection, and
the companion DVD filmed at the Montreaux
Jazz Festival in 2002.
Who
says lightening cant three-peat. In
2003 the Japanese female vocal act, 6, 7,
8 & 9 put a new spin on the Ike-tune
Im Blue and their
rendition landed in the martial arts,
action-thriller film Kill
Bill. Also, a reunion brought
Turner together with fellow Rock Pioneer,
Sam Phillips, for rare and humorous
moments captured in another Scorsese
segment, The Blues: Return to
Memphis. Another feature film,
Soul To Soul that includes
Santana, Ike&Tina Turner, Roberta
Flack, the Staple Singers, and others, is
set to re-air on TV in Europe for the
first time in nearly 30 years.
2004
will mark the 50th Anniversary of when
East Memphis-influenced Elvis stepping
into the limelight. To commemorate this
milestone N.A.R.A.S., the GRAMMY
organization, is recognizing Turner and
Elviss original band members,
Scotty Moore, Bill Black, and DJ Fontana
with the Grammy Heroes Award which will
take place in Memphis this spring. St.
Louis also recently honored him with a
Star on its illustrious St. Louis Walk of
Fame. Today, Turner is concerned with the
well being of urban youth and delivers a
positive message to them through The
Blues Schools Program. During Black
History Month Turner goes to high schools
to perform for and jam with student
musicians, and to spread his message:
Stay in school, stay off drugs, follow
your dreams, respect yourself and
everyone else will follow. To say Turner
is back is to ignore his influence on
legions of rockers, from day one to day
now. Fit, trim, ready and steady; Ike is
today; Ike is yesterday; and as Ike rocks
into the future he is continually woven
into the Rock of ALL ages.
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